Tips for Breaking into Sports Photography

Winthrop University, Rock Hill, SC, student photographer Chris Osborne hopes his experience in sports photography will take him to the next level - his goal for every shot is "Sports Illustrated Cover".

Osborne explains how a sixth sense is valuable in sports photography, but without the basics of photography, you will still miss the shot.

What first attracted you to photography? How did you get started yourself?

Photography was something I could do since I have always been able to see how I wanted things to look. I have started and restarted a few times. My first camera was a 110 mm back in 3rd grade. I moved onto other interests until college, where I got a Coolpix L3. It is good for general use, but trying to shoot basketball did not work at all. So, I purchased a Rebel XT and have not looked back.

What photographers - well known or unknown - inspire you?

Beyond the sports photography culture, two unknowns got me where I am today. The first is my sister. She says that I stole her interest in photography and will not hold back any criticism of my work. The second is Paul, a fellow photographer at the school paper. After seeing one of his pictures in the paper and not liking it at all, I decided that I could do a better job and filled the other sports photographer position. Only later did I learn that an editor and not Paul made the cropping decisions.

What equipment do you use? Is there a certain piece of gear you could not live without?

I am currently using a Canon Rebel XT with the kit 18-55mm lens, Canon 50mm 1.8, Canon 75-300 4-5.6, and a Tamron 28-200mm 4/5.6. My only other add ons are a Canon battery grip and a polarizing filter. Being on a college student budget, I do not buy new equipment unless I will really use it. But if I had to pick one item that I couldn't live without it would be the battery grip. I missed too many shots by flipping the camera the wrong way to shoot vertically or simply missing the shutter button.

Do you have any goals in mind with your photography?

For my sports shot, there is always one basic thought running through my mind - Sports Illustrated cover. I would love to have one someday. For everything else, I think about if I could see the shot hanging on someone's wall. If I cannot, I find something that fits that requirement.

What do you feel are your strengths and weaknesses in sports photography?

As much as I hate to say this one, one of my strengths is that I have a camera that can handle the speed and lighting at college sporting events. Beyond that, I am able to have a personal relationship with most of the athletes and am able to predict fairly well what is about to happen. My weaknesses are that I am still too slow at times to get the shot that I want, despite knowing almost exactly what is about to happen and that I have a tendency to tilt my camera. Also, where the Winthrop athletic department lets me go during games limits what I am able to shoot.

What does it take to be a quality sports photographer?

To be a quality sports photographer, you have to be a little bit psychic. By that I mean that you need to be able to know where to point the camera to get the shot. Some sports are easier than others. What sports do you like to shoot? I like to shoot basketball and volleyball most. They are high intensity and usually have something new to get every time. I like baseball the least because most of the shots are just excessively similar.

What post-processing tools/software do you use? How much does that influence your photography?

When I want better control over the photograph, I will use Photoshop 7 or Gimp depending on which operating system I am working under (desktop runs XP while laptop is in the process of switching over to Linux). I use Picasa for basic editing such as cropping and overall brightness/contrast. I sacrifice the overall control for speed when I have to turn things in to the school paper.

What advice would you give new photographers?

A) Don't get discouraged. Photography is an art, which means you will have to work at it.
B) A good photographer can overcome bad equipment, and good equipment will not make you a good photographer.
C) Less time editing your photographs means you'll have more time to take more, so get things right in camera as much as possible.
D) Try to see all of what there is to shoot, not just the stereotypical snapshots that everyone else will find.

Check out Osborne's photography at http://sapidexistence.com

Amazing Secrets of Underwater Photography

Do you like underwater photography? Do you want to know how it is done and what are the different things you should look out for when taking underwater pictures? Then you have come to the right place to learn what really underwater photography is. We all know that underwater photography can be a great fun and enjoyment activity and it can be more enjoyable experience for you if you really know all the nitty-gritty about underwater photography.

If you want to take beautiful underwater pictures then most importantly you should have a powerful digital camera which can work underwater without any hassles. Because it is not like that you go underwater and immediately start taking pictures. Rather you have to take care of many things when taking pictures in the deep water. If you do not take enough care then your pictures can become blurred and quality can be compromised. You should always look out for the direction of the sunlight underwater as sunlight travels differently in the deep water which affects the picture quality. You have to adjust your camera angle properly with the direction of the sunlight when you are underwater.

Then there is the impurity in the ocean water like mud and dirt which can really affect the picture quality underwater. This dirt can make the water so impure that you can not see properly in the deep water. But this happens most of the times only in the lakes and rivers. But many of the oceans are so clear and pure that you can see longer distance without any problems and your pictures most of the times comes as a quality product.

Many people who try underwater photography; takes their own friend's and families pictures and this can be more entertaining and really memorable experience for the family members to cheer for long time. But one of the most important factor every underwater photographer should remember is that the underwater currents and their effects. It is the most unpredictable factor which really affects our picture quality when you are underwater. When you are underwater it is extremely difficult for everybody to stand still in the same pose. And with the dynamic nature of underwater currents it becomes more difficult to give the still pose for the photo. So you should always keep in mind the direction of the underwater currents while taking pictures.

With the advancement of different types of digital cameras it will become easier in the future for us to take underwater pictures and really enjoy the experience of underwater photography.

A Need-to-Know Basis: History of the Sundance Film Festival

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I'm starting a new series of stories and articles, ones that have a particular focus and energy towards either history or information, particularly in sports and entertainment. They talk about things being talked about only in "need-to-know" bases. I have decided to take some of the important people, events, and outlets that have made these things important. These are things you need to know, and I'm gonna tell you. My first one is going to be about the Sundance Film Festival.

Intro to Sundance

For much of the year, when you think of Park City in Utah you are usually thinking about great slopes, soft snow, and luxurious spas. However, for a couple of weeks in January, the peaceful getaway that is Park City is transformed into a mecca of indy filmmakers and the world's biggest stars. The movers and shakers get away from the sun and the lights of Los Angeles, New York, and everywhere else in the United States and they head out to Utah for the Sundance Film Festival. Examine the history, from the mythological start of the festival to it's meteoric rise into the elite of the film world, and the tradition that comes along with Sundance.

It Begins With an Idea

Back in the late 70's, there were two major individual leaders who led the charge to bring the Sundance Film Festival to life. The corporate side was handled by a man who held the title of Utah Film Commissioner John Earle. On the side of the filmmakers and the artistic voices was Sterling van Wagenen, a Brigham Young University Film School graduate. They, along with a group of other people who supported the cause either financially or artistically, went forward to found the U.S. Film Festival. This group of people looked to accomplish three main tasks for the state of Utah and the film industry. They wanted to bring an artistic forum where people could watch and discuss the best of American films. Also, it was an idea meant to bring more filmmakers and studios to Utah with a national event that they could host. Finally, this group also looked to get a competition that would showcase and bring forward films that were not from the Hollywood Studio systems, or independent films.

The festival begun very small. It even added the "Utah" to the name of the film festival to make sure that citizens of Utah could feel as though it was an event all their own instead of something created outside of the area and therefore not authentic to their state. By giving them that connection to the festival in the early stages, some locals were able to lend their support and to persuade others to offer their support. One key to the early development was the involvement of Utah citizen and film star Robert Redford. He became the festival's first chairman and lent some instant credibility to the festival. Early on, they also switched the festival from a traditionally warm summer season to January, the heart of the ski season in Park City, the festival's new home in 1981. This would attract a lot more film heads, if for nothing else than to watch some films and ski the slopes.

Early funding would be largely provided by the commissioner John Earle, although many other sources could be found. Some local investors put money into the event in an effort to promote growth and development in the area. Other contributions came from some wealthy contributors and sponsors from within the business looking for a festival to support and allow to compete with some of the best festivals the world had to offer. They especially wanted a festival that they could call their own version of Cannes, which had been running since 1939.

Growth in the 80's

Although having some varied success in their first few years, it was after the 1981 festival when things began to come into focus and the picture looked bleaked. The year prior, they had been able to make up a lot of the debt that had been produced by the first one, and although the move to Park City had proven successful in terms of filling a time of the year which was considered vastly dead in terms of tourism and also brought record attendance at film showings. However, that positive energy quickly faded when it was realized that although there were record numbers in the films themselves, overall attendance had dropped due to the snowstorms. They would even find themselves over $100,000 in debt after this third festival. They would garner enough support to continue the festival by getting some key in-state donors and fundraisers by the Utah Film Commission. That 1982 festival would prove the turning point because they would broaden the span of films being shown while raising the box-office numbers.

After two more festivals, they seemed to receive the critical acclaim they were hoping for, but financial dificulties continued to threaten the festival. It was then, in 1985, that the Sundance Institute decided it would be in their mutual interest to take control of the festival. The institute's purpose was to continue to bring exposure to independent films, and having a festival under its wing would be a powerful ally in that fight. Meanwhile, the Institute, a non-profit organization, could provide for people to work all year organizing and promoting the events and, of course, much needed financial support. They would double their attendance that year and begin to grow with new, edgy films and an array of international films added.

A breakout moment, not only for the festival but for a young volunteer-turned-director, seemed to bring the festival to the mainstream like it had never been before. Steven Soderbergh, who once served as a volunteer driving a ferry bus around the festival, had brought into the festival his debut film Sex, Lies, and Videotape. Not only did he win the first ever audience award, he sparked a bidding war between major studios unrivaled in film history. His success earmarked the January festival as a "must" for industry execs looking for a breakout film that would make it in the mainstream audiences.

The 90's: Growing Media and a Name Change

The early 1990 festival did not receive the accolades that the prior year received, although it did display a few good films. In 1991, however, the festival would be changed forever in a way that makes it more recognizable now in the world's perspective. Geoffrey Gilmore took the lead of the festival, and they would give it it's final and famous name; The Sundance Film Festival. Interest in independent films grew exponentially and they would in turn see, in the early 90's, the emergence of young filmmakers such as Quentin Tarantino, Richard Linklater, Kevin Smith, and Robert Rodriguez. Films began to push the envelope with its new forum, and while they produced awesome films, they were also the subject of some controversy in the industry.

As we would move later on in the decade, the influence of the Hollywood corporate system began to slowly take stronger hold of the festival. More and more, agents and lawyers were scurrying around the streets of Park City in hopes of finding that next breakthrough filmmaker. Studio heads were making their way to the event to attract films and cause stirs with bidding wars. As this growth continued, it was believed that they should move the festival back to Salt Lake City, it's original home, to house the larger crowds and the businesses. In the end, it was subdued by the building of the Eccles Center, which holds 1,300 people for a screening.

The end of the 90's would bring forth it's biggest buzz, which came in the form of The Blair Witch Project. It would breakout almost immediately, although the buzz for the movie was basically non-existant and considered very lackluster for its eventual success. It would end up bringing in $140 million domestically and would bring in more worldwide, making it the most successful independent movie of all time. It was not the only movie, however, as a movie called Go by Doug Liman, who had brought Swingersto the festival some years prior, and a German movie called Run Lola Run would intrigue festival goers.

The Future of Sundance

With the festival moving into the 21st century, they would turn away from the hype machines that the festivals embodied in the 90's and turn its attention back into the films that were there, not to the hype and the speculation surrounding them. They continue to set attendance records and have now easily cemented its place as one of the top festivals in the world, matching up to its French and Italian counterparts in Cannes and Venice, respectively. Big name stars are going back to doing independent films, bringing big-star credibility to the smaller films which have little else to draw on with the rising of the studio blockbusters. As Sundance continues to progress, as do the hopes and dreams of independent filmmakers everywhere.

Make Your Own Baby Food With a Grinder

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Baby food is a necessity for infants and small children but you can save money on purchasing jars and jars of baby food by making the foods yourself. Of course, in order to make all-natural baby food you'll have to start with all-natural foods. You can check the local grocery store aisles for foods that have no added sugar or salt.

Baby food is easy to prepare while fixing your own meals or to store for the baby's daily meals. Using a blender is a lot of trouble for small portions of food. Another idea is a baby food grinder. They are available in styles where you use a hand crank or electric ones. They work like a blender but hold small portions and are easy to clean.

Babies can eat many of the foods we eat if they've been pureed. Try cooked carrots, peas, green beans and other vegetables in the grinder. Mix them together or make them separate. Simply put them in the food container and attach the grinding mechanism. Hand-grinders are simple because you give the machine a couple of cranks and the mashed food appears before you, ready to eat. If the food, after going through the grinder, appears too thick simply add a few drops of formula or milk, or even broth, depending upon the age of the child.

Vegetables are the easiest foods to prepare in the baby food grinder. Fruits like apples or pineapples are difficult to grind completely. The grinder will often leave "threads" of the pineapple that could cause baby to choke. Other fruits like pears and peaches do fine after the peeling is removed.

Use the grinder to mix foods together, such as oatmeal and peaches. Try mixing milk and mashed potatoes in the grinder when the baby is old enough for starches, to make the mashed potatoes a more appropriate consistency for the baby. The grinder can also make some cereals perfect for the baby. Cereal that is made like flakes can be put in the grinder with some fruit and milk and prepared for baby.

Some meats, like hot dogs or ground hamburger, can be placed in the baby food grinder but most meats are not suitable for baby grinders. Hamburger that has been made in spaghetti or other pastas will usually do okay in the grinder, though. Canned pasta meals are perfect for the baby food grinders. After grinding the food store the large portion in the fridge for later usage and serve a small portion now. Or, grind just a little for baby and serve the rest to older kids.

When you make your normal family dinner try to add side dishes, like macaroni and cheese, that can easily be put into the grinder, as you sit at the table. Most of the grinders have a "dish" that holds the food after it is ground, making it easy to feed baby at the table. Go online to find the grinders or check your local department store.

Anglin's Wedding Photography in Bend Oregon

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Anglin’s Wedding Photography will preserve your wedding memories with their exceptional and incomparable talents. Jake and Shereen Anglin can create beauty on film that will last a lifetime! Together, they capture the sentiment of a couple’s once in a lifetime event, their wedding day. Anglin’s portraits are incredibly intimate and share a level unlike any other wedding photographers endeavors.

The level of intimacy captured and preserved on film between the bride and groom is unsurpassed and enduring. While viewing Anglin’s sample portraits from their website www.Anglins.com, you can almost feel the emotional and intimate nature of the wedding with the soft focus and moody lighting the Anglins use. For any couple, their wedding day can be the most anxious and exciting day of their lifetime together. Photographs of this moment should be intimate not only with the wedding party but should include seemingly simple fundamentals of the wedding such as the environment, the décor and guests.
No two weddings are identical because no two people are identical. Each wedding is as unique as you and the Anglin’s expose the individuality and style of your wedding portraits. On the website, a happy couple by the water is holding up a big Thank You sign; they really appreciate your business! The Anglin’s not only take the traditional wedding shots but they also create portraits with natural body movements with natural expressions that are difficult to do in posed portraits.

Their portraits are very detail oriented with great elemental compositions. Their photographs not only portray close-ups among the bride and groom, but they also capture the smallest minutiae of the wedding and their sample portraits show an assortment of close-ups of the wedding jewelry worn or the candles lit beside a wedding cake. Another precise photograph is of white chairs and the bride’s bouquet and in yet another, the bridal bouquet on the table with lit candles only further giving an artistic element captured on film. These are small moments the bride has dreamed about her whole life. Even when the lighting seems low they capture a well lit environment that exposes the low light elements and details with clarity. Their wedding portraits carry artistic appeal. Precise close-us of a wedding cake so detailed you can actually see the very crumbs and it is elegant and beautifully done. Their special effects portraits are luminous, vibrant and brilliant with pure clarity.

Anglin’s Photography is operated by the owners, Jake and Shereen Anglin and they are truly a wonderful dynamic team. They formulate a great portraiture plan to make the wedding day a very treasured and memorable event. In addition, the Anglin’s are great to work with and they have fantastic idea’s that can be incorporated individually for uniqueness in the photographs. They are a very charming and loveable pair with vibrant personalities that make you feel very relaxed, comfortable and welcomed even when the heat of the wedding day turns on. These photographers have an artistic flare not only capturing a moment in time on film for the newlyweds but they add artistic beauty and value to the portraiture package. Anglin’s Photography offers a wide range of pricing and package arrangements with both color and black and white portrait’s. They also do engagement portraiture and this could be an added bonus for the busy bride and groom. Anglin’s Photography in Bend Oregon is precise and experienced. Please visit their website at WWW.anglins.com for further information.

The Budget Bride's Guide to Saving Hundreds on Photography

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If you are planning a wedding, you already know how much things can add up. From invitations, venues, catering, decorations, and so on, you can quickly spend thousands of dollars on your wedding day, without even realizing where all of it went. In fact, according to theknot.com, the average wedding cost is $27,800 per couple! Think of how that money could have come in handy in case of an emergency, in putting down a down payment on a new home, or in financing a fantastic honeymoon! However, if you take control of your budget now, you can have a memorable, elegant wedding while saving thousands for your happily ever after years.

The first thing you need to do when you are planning a wedding is to decide on how much you can reasonably afford and then discuss which items are the most important to you. Many couples decide that photography is at the top of their list. Follow the tips below to have memorable pictures, while staying on budget:
Shop around for photographers

The first step in saving money in general is to find out who offers the service and how much they charge. Never accept the first offer that you receive. Call various photographers and ask them what they charge and what their service includes. Be sure to consider how much the entire cost of photography will be. For example, a photographer who charges less per hour who charges more per each picture may not be a good deal. Search through your phone book and go online to see photographer's blogs and samples of their pictures.

Think outside the (office)box

Although there are plenty of photographers who specialize in photography and have a career in photography, there are also many skilled photographers who have different day jobs, pursue photographer as an interest, or specialize in other forms of photography. Check around for people such as these who have experience in photographing weddings, but who do not depend on it for their bread and butter. Think about anyone you know who fits this criterion: someone who takes pictures for the local newspaper, a sports photographer, a friend who has taken a few photography courses, etc. They will often charge much less than photographers who make their living from inflated wedding packages. Typically anything associated with weddings is more expensive than something without the wedding association. So try to find a photographer that has similar experience with a much smaller price tag.

Get digital prints

Ask your photographer if he can photograph you with a digital camera. Any type of special effect like using sepia pictures, black and white pictures, red eye removal, coloring in certain elements like the flowers while leaving the rest of the picture muted, and so on can be completed by just a few buttons. So you won't have an effects expense passed on to you. Also, ask your photographer if he can give you the digital prints on a cd or memory card. If he does this, you will need to be sure that he has signed over the rights of ownership to you so that you can develop the pictures yourself. This step could save you hundreds, maybe even thousands, and you will only be paying for his hourly rate and the ownership rights, rather than a certain dollar amount * the amount of each picture.

Consider limiting the photographer's time

Consider the actual amount of time that you want to have the photographer around. Keep in mind that many photographers will also charge you for the time it takes to travel and set up for the pictures. Some brides want the photographer to take pictures while they are preparing for the wedding, but if you are not interested in these types of pictures, don't ask the photographer to be around during that hour. Consider having your photographer take your pictures during the important parts of the ceremony and formal posed pictures after the wedding. Then just have him stay for the first hour of the ceremony, rather than the entire event. You can still get in many of the important photos during this time, such as the first dance, the receiving line, and the cake tasting. But you can save hundreds of dollars if you do not keep the photographer around for the next 1-3 hours of the reception. And with many photographers charging hundreds of dollars an hour, this is easy money that you can pocket for your future.

Opt out of the reception

Consider not having your photographer take reception pictures at all. This will save time on moving between venues, set up, and hours off of his rate. Many brides today are opting for more photojournalistic pictures, rather than posed pics. Place a couple of disposable cameras on each guest table and ask for their help in taking pics at the reception. Be sure to leave a convenient basket for them to drop the cameras off at before they leave. For the cost of a few $5 cameras, you will wind up with hundreds of pictures to choose from without the hefty photographer's fee.

Compare packages

When deciding on a package, be sure that you are comparing what each photographer is offering you. Sometimes you will save money by going for a package deal, sometimes you may be better off deciding on a certain number of pictures, rather than a package. So carefully scrutinize the charges for each package. Also be leery of unnecessary charges: a $100 wedding photo album is not worth it when you can go to your local supermarket and buy one for $10. According to Elizabeth and Alex Lluch in Planning the Most Memorable Wedding On Any Budget, you can also save big if you place the pictures in the wedding album yourself. It might take a little time, but make a day of it with your new spouse to look back at your happy memories.

Skip the engagement photos

Although it might be nice to have pretty picture to send with your invitations or to the local newspaper for your engagement announcement, you can use alternative methods, rather than pay the hefty studio and professional photography fee. For example, if you already have existing formal photos of you and your fiancé, use those instead of opting for a multiple hundred dollar studio session. Alternatively, ask a friend with photography experience to set up a muted background or go to a natural setting and have her photograph you and your fiancé for your engagement photos. Finally, check a local family photography studio, such as Wal-mart, Sears, or JC Penny. They will have appropriate backgrounds, but charge much less than a wedding photographer.

Barter, barter, barter

If you have met with several photographers and you liked one more than the others, but he was a little too expensive, let him know that you received a better offer and see if he comes down on the price. Also, before you commit, be sure that you ask "Is this the best deal you can give me?" for even more wiggle room. In this economic time, more and more people are learning powerful negotiating skills and businesses are suffering from unprecedented losses. See how flexible your photographer will be with the price. If you can't quite get the deal you want, go with another photographer or see if your first choice can throw in a freebie, such as a free parent's album, rather than a reduction in price.

Barter some more

If you have any type of service that you complete, see if you can exchange your service for the photography or a portion of his fees. Also, if you blog or you are involved in advertising or website development, see if you can get a discount if you provide free advertising for the photographer after your event. This type of service exchange can be posted in a local newspaper ad or on craigslist.com. Alternatively, if you have a friend or relative getting married, see if your photographer will give you a discount for a positive recommendation and referral.

Consider a student photographer

Yes, it might be scary to put the future of your only wedding pictures in a non-expert's hands, but you can save big by asking a student photographer to capture your wedding day. Additionally, students are more likely to give you digital prints (see above) in exchange for them gaining experience and increasing their portfolio contents. Be sure that they have some previous experience and make sure you look at their previous work. Also, be sure that your expectations are clearly stated and make sure that they can be depended on and that they are punctual.

Regardless of which photographer you go with, be sure that you get recommendations for him, check his portfolio, and make sure that you both know what you will be getting. Be certain that any adjustments are in writing, especially if the photographer has reduced the price. Then rest assured that you have done your best to get the pictures you want, and the peace of mind you need as you begin your new life with cash in your pockets.

Photography Tips and Tricks

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Photography isn't just about making memories, it's about art. Be artistic. Here are a few tips and tricks to help you make those photos, picture perfect.

To make those dull photos turn into works of art, consider these questions:
Decide if you want the full subject, half, or even a close up. How much background do you want, or even foreground? Exactly how close do you want that close up? What details do you want to focus on? Do you want a vertical, horizontal, or tilted photograph? What angle do you want? What's the best lighting? What background do you want to use?

1. Placing the subject of interest. Choose how much of the subject you want photographed. (Example: you want full body, half body, or face shot.) If your subject fills the frame then it's okay to center it. If you are trying to get more of the background, try placing your subject to the right or left in the viewfinder. With a horizontal (laying down), try to place them at the top for more foreground, or at the bottom for more background. And you could even tilt the camera for a more funky picture. It all depends on what part of the scenery you want visible in the picture. Maybe you want that tree to your left and your subject to the right. Or the patch of flowers in front and the mountains in back. (I find it best to take my time and take shots of each possible way and several different poses. This way I know I'll find the best photograph with the most potential.)

2. Don't center. The circle, plus sign, or brackets in the middle of your viewfinder is for focusing and isn't necessarily for centering the subject. Placing your subject in t he circle could leave you with a lot of empty and useless space on your photograph. Too much background and not enough subject. If your subject fills the frame then it is okay to center them. (Sometimes you just have to ignore the focus points and concentrate on your subjects placement in the frame instead.)

3. Camera angles. Walk around the subject, shoot from all angles and sides. This will help you to get the best lighting, background, and different aspects of the subject. You will want to find the best angle for all three. Pick a background that will not distract your viewers from the subject of interest. (I choose my backgrounds to where there's not much clutter. Sometimes I will use a plain sheet or blanket and place it behind the subject, but making sure it does not clash or blend.)

4. Reflectors. In some situations you just can't get enough light or you perhaps you just want more. To use a light reflector, place it in a position where it reflects light onto the subject without it getting in the frame. Use this if your shot is coming out too dark or there are too many shadows. On night shots that you need more than your flash can put out, place a lamp (or several) near your subject, but out of sight, and use the light reflectors to bounce from the lamps to where needed. (Some homemade light reflectors can be real cheap to make. You could use white cardboard, or if you can't find this, then simply take any piece and paint it white. For more light, place tin foil over your piece of cardboard, smooth it out, and reflect where needed.)

5. Shading. Using the same piece of cardboard as mentioned above, you can use this to block the light as well. You could make this easier by painting one side white and the other black. Or just place the piece in front of the lamp or sun to dismiss light from your subject. On most cameras you can use a sunshade for the lens, some cameras come with this, some you buy separate. This won't keep light from your subject, but it will block the light from causing a flare effect on the outcome of your photograph. The sunshade just clicks into place around your lens, and keeps the lens safe from any glaring.

6. Outside daylight. Direct sunlight is when you place the sun behind the camera, but in front of the subject. Using direct sunlight can cause shadows on the subjects face and possibly their eyes squinting. Back light is when the sun is behind the subject and in front of the camera. This will lighten the photo and cause much softer features on the subject.

7. Preventing red eye. Red eye is caused when the flash is too close to the lens. Ways to prevent this are: Attach a larger flash to your camera, t his way the flash is further from the lens. Or if buying a camera, look for one with the flash located far from the lens. Try getting closer to your subject when needing the flash. (Before I bought my camera with built in red eye correction, I had to use a photo editing program to correct these problems. I was even scanning my pictures and still having to edit when I was using my film camera that was hopeless against red eye.)

A Look at Some Helpful Photography Websites With Beginner Photography Tips and Advice For Pros

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When I was in high school I found my moms old Nikon camera. I always wanted to get into photography but didn't know anything about it. So I got a job at a photo lab and took that camera with me everywhere. I'd bring the film into work the next day to see what I had learned and how the photos turned out. When prom time came around a bunch of my friends wanted me to do their prom pictures. So I borrowed a nicer camera from a friend and charged my friends to shoot their prom pictures. I made enough money to buy my first camera. After that it was a start of a dream

Since then I have done paintball photography for a world wide magazine, been a sports photographer, wedding photographer, school photographer, child photographer, and every kind of photographer in between. These are a list of sites I used when I first started out that I found to be invaluable.


www.photographytips.com
Great site that is some what member based. You can look around most of the site for free but if you want to access everything there is to see you can sign up online for only $5.00 a month. There are great articles on subjects from composition, to light, to how to use your flash. There are also some great galleries so that you can learn by example. Every page is filled with helpful information and numerous pictures that help explain the topic of the article.

www.photosecrets.com
This site may not be graphicly pleasing but it covers its bases. The tips are divided up into beginner, intermediate, and advanced. The beginner section covers topics like what kind of camera and film you should buy as well as how to take better pictures of people. he intermediate section talks about quipment, hot to tackle more complicated subjects, and travel photography. The advanced section is more about selling photos, more details about film, and the use of filters. The only thing I Don't like is there are no photos on any of the pages. I think a photography site should have pictures!

www.kodak.com
As one would expect this site covers everything that is photography. This site is easily to scroll through and has a wide variety of topics. Learn the best way to photograph your baby, take better vacation pictures, or photograph your pet. The site also covers topics like printing pictures, sharing pictures, and getting started in digital. The photographs on the site are great and offer some step by step examples of topics discussed in the articles. There are also interactive demos on different subjects that are worth checking out. You can even research information on
film and digital cameras.

www.photonhead.com
This site offers a great tool for the photographer who wants a better understanding of shutter speeds and f-stops. This is the hardest concept to grasp when starting out=t in photography. I know, Ive been there. No matter how many times its explained you just Don't quite get it. This site offers a tool where you can set shutter speeds ad and f-stops in any combination and see what the effect would be. You have a sample photo to your left and to your right you can see what it would look like with your f-stop and shutter speed combo. This is a great tool that helps you learn about f-stops, shutter speed, focal length, and depth of field.

www.betterphoto.com
This site offers online photography course for the photographer who wants to become a professional. The online classes are rated for skill level of the photographer. Classes usually include weekly assignments and have the course instructor personally look over your work. Course range from the business of photography to how to use photoshop and many other topics. Classes vary in price. A 8week class could be between $200-$400. If your aren't happy with your course by the third assignment there is a money back guarantee.

www.scphoto.com
This is one of the best sites I can recommend for young photographers who need direction. This site was created by a high school photography teacher. Its is a free lesson plan that offers homework for photographer. The best thing it offers is assignments on different areas of photography. There are assignments for learning magazine photography,lighting, concepts, and much much more. There are list of words and terminology you should new. Its basically a free high school photography class. I went through the whole lesson plan when I was teaching my self photography and highly recommend it.

Photosecrets.com


Photographytips.com


Kodak.com


Photonhead.com


Betterphoto.com